Tag Archive > Acting

As if these things are true…

Kirsten Olson » 05 February 2010 » In Acting » 4 Comments

Sometimes the things that may or may not be true are the things a man needs to believe in the most. That people are basically good. That honor, courage and virtue mean everything; that power and money…money and power mean nothing. That good always triumphs over evil. And I want you to remember this..that love…true love never dies. Remember that boy…remember that. Doesn’t matter if it is true or not, a man should believe in those things, because those are the things worth believing in…got that?

Spoken by the character Hub McCann to his nephew, Walter, in the film Secondhand Lions written by Tim McCanlies.

This is one of my favorite quotes. I rediscovered it today while I was pulling papers and pictures off my bulletin board at work in an effort to create a more focused environment. I watched Secondhand Lions with my great aunt, my mom and my daughter about 4 years ago. After the film was over, I made them rewind the tape and rewind it again while I transcribed Hub’s monologue.

I love any film, book or song that gives me permission to believe in the things I want to be true even when I know that many times they aren’t true. My heart always seems to be engaged in a wrestling match with my head. I have vascillated between cynicism and faith, despair and hope, prayer and curse most of my life. I suspect this will continue.

But, today, right now – I am living as if the things I want to be true are true. It’s called acting. Also known as the “magic if” – acting as if these things are true. The key is that in daily life moment by moment we have a choice.

As actors and directors working to bring a character to life, we have a duty. When you walk on the stage with the script in your hand, you have a duty to act as if these things are true – no matter how improbable or uncomfortable. Some times the cirumstances we find ourselves living onstage are hysterical other times painful. But it is our duty to act as if these things are true with complete and utter faith.

This includes side trips to the dark side, opening your guts up to embrace sadness, and loving someone who, when offstage, you would rather kick in the shins. Ahh! The life of the actor.

I played a mother whose 4-year old son was hit by car and killed in front of her house while she was inside talking to her sister on the phone. This was a painful role to play. But acting as if, I relived that moment of her hearing the dreadful thump thump of her son’s body hitting the grill of the car then the curb every night for two months – and I cried a lot. And, when I was offstage, I thought about our fleeting mortality a lot. I also got married and went on a honeymoon and moved into a new house and my life was very very happy.

I played a vengeful social worker on a power trip bent on keeping her client in limbo: living in a seedy hotel. While I, as this God-fearing and uber-righteous social worker, dangled the promise of – maybe – if this client is a very good girl and learns to say please and thank you – then maybe – she might get her child back – it’s possible – but probably not. Oh! It was awesome to be that evil and so very righteous at the same time. And this one was a comedy!

Last night, I watched a former student of mine lose his lover to Aids in RENT. It was hard to watch and I cried and my daughter and my husband sat next to me and they cried too. But that actor did his duty. While he was on that stage, he beleived with all his heart that the love of his life was dying a painful death. He acted as if his lover was gone from this earth forever. Because he believed, I believed. That’s the way it works. When the show was over he was smiling and I gave him a great big hug.

I beleive there is a great healing power in empathy. Laughing or crying and everything in between. The theatre gives strangers and friends an opportunity to sit together and feel something – empathy. Live theatre offers us the rare opportunity to confront our humanity and, together, act as if these things are true…that people are basically good. That honor, courage and virtue mean everything; that power and money…money and power mean nothing. That good always triumphs over evil.

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Acting Concept: Acting is Doing

Kirsten Olson » 19 August 2009 » In Acting, Creativity, Theatre » No Comments

If you’ve been reading you know that this blog, my focus and business plan are currently (or constantly) under revision. A couple of months ago I introduced The Friday Post in which I share with you the cool resources and beautiful goodies that I find during my weekly internet prowls.

These posts are focused on creativity in the general sense. They have featured resources for writers, online galleries and life philosophies to expand the creative mind. Several people have found these resources valuable so I have decided to add a page that will include all the links from The Friday Posts. I hope this page will be a launching pad for your personal creative quest. That’s Revision # 1.

Revision # 2 introduces the Acting Concept post. Acting Concept posts will focus on an element of the actor’s craft, explain the concept, provide examples, and finally explore how this concept can be applied to daily life. These posts will end with questions that you can use to explore and expand your life on stage and off. My hope is that these questions will spark your imagination and send you flying to your journal pages.

On with the post…

theaterActing Concept: Acting is Doing

This is the basic numero uno prime and ultimate concept to master. Acting is doing.

What does that mean? In the most obvious sense it means when your character is onstage searching for his blue sock, you the actor will be onstage searching for your blue sock. You aren’t pretending to search. You are searching. You aren’t demonstrating to the audience that your character is searching and you aren’t emoting about how much you love the blue sock. You are searching for the blue sock.

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How to Make Your Head Spin

Kirsten Olson » 22 June 2009 » In Acting, Creativity, Right Livelihood » 6 Comments

FerrisWheel

Warning! This post is long because I’m on valium. Read on to find out why.

I want to share some things about this amazing journey of creativity and right-livelihood. I’m going to tell you a story about my first ever just launched acting class in my first ever just rented studio space. The first class was on Saturday, June 20. But I need to travel back in time a bit – all the way back to Thursday, June 18.

Thursday afternoon around 2:40 PM, I was in my office at the day-job and I was talking to our student assistant about this or that. I looked away from him and turned back to my computer and the room began to spin. Spin as in rotate around me in a circular motion! I thought it was a blood sugar issue since I’m not so good about eating when I’m busy. Fine. No biggie.

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Heading “Home” for Vacation

Kirsten Olson » 09 June 2009 » In Body Image, Creativity » 3 Comments

waves

Hello. I am off on vacation starting tomorrow. I’ll be heading to West Texas to visit my dad and my sister and attend my 25th high school reunion.Twenty five years!

The Friday Post will (if all things go as planned) be posted on Friday, but I’m not likely to get much up between now and then.

Reminder: Acting Classes begin June 20th and will meet Saturday mornings from 10:00 – 12:00. If you are interested or have some questions about the class send me an email. You can reach me through the contact page on this site or find me on Twitter or Facebook.

Rehearsals will start in earnest for Adult Entertainment when I get back so I’ll be carrying my script with me wherever I go. Our instructions from the director are to read through the script every day. Read, read, read and let the words sink into your pores. Then I’ll be able to post on the rehearsal process as we move along.

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Running with Scissors: Gearing Up, Clearing Out, Paring Down

Kirsten Olson » 01 June 2009 » In Acting, Creativity, Productivity, Writing » 3 Comments

stage-entranceI got some good news this weekend. I’ve been cast in another play with Theatre NXS – the same company that produced Problem Child. This play is another piece from George F. Walker’s Suburban Motel Series called, Adult Entertainment. No. It isn’t about the “adult entertainment” industry.

It’s about some very mixed up adults – a washed-up public defender, two cops who long ago stopped caring about the greater good, and an ex-wife who is still trying to understand why her cop-hubbie has crossed over to the dark side. The four of them together and separately have created a state of continual crisis in their lives and the audience gets to watch them try to escape the consequences by making almost every bad choice known to man and woman.Meaty stuff – with some bizarre humor thrown into the mix to spice it up.

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Contracts, Commitments and Permission Slips

Kirsten Olson » 19 May 2009 » In Acting, Theatre » 4 Comments

I’m committed. I signed a lease for a studio space today. I have a key! I have a contract! This is real. I’ll be teaching acting again.

I was driving back to my office after signing the contract and there were two questions swirling around in my head.

  1. Why didn’t I do this before?
  2. Why was I able to do it now?

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Thoughts On The Way to Opening Night

Kirsten Olson » 14 May 2009 » In Theatre » 3 Comments

Here it comes. Opening night! Ready or not. Final dress and tech tonight and there will be butts in the seats tomorrow.

I’ve enjoyed great luck and opportunity in the last six months. Picasso at the Lapin Agile was great fun and my character, Germaine, got to flirt, kiss all the boys, pour drinks and all manner of fun things I don’t get to do in my real life. I got kidnapped by a mummy, tied up and rescued by the hero in Venganza Azteca. I don’t want to admit to how many times in my girlish life I’ve fantasized about that scenario. 

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Boundaries and a Creative Needs List

Kirsten Olson » 16 April 2009 » In Creativity, Theatre » No Comments


Participating in this film has taken much more time and energy than I expected. One of the most interesting things about it has been learning how different film is from live theatre. They are completely different mediums. I knew this, but experience is different from knowledge. And, I don’t know why I didn’t realize this before I got started with it, but we film the night scenes at night! So lately I’ve been working all day at the day gig and filming most of the evening.

I had a rehearsal on Sunday for a scene I performed at the university on Wednesday and on Sunday evening I auditioned for a new production with a new theatre company. I found out Wednesday that I got the role. Happy Dance!!! I will be playing Helen in George Walker’s Problem Child. I am definitely living in the flow of opportunity. I actually feel as if I am on the edge of losing control of the current.

My fear wants me to pull back and stop, but

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